meet the photographer series
starting this fall, i'm beginning what i hope will be a nice addition to our site: i'll be interviewing various professional photographers, and showcasing their work. i'm starting with christopher morris and douglas kirkland. so, here's the opportunity for the dgrin community to help:
i have my own list of questions for them, but i'd also like to know, what questions would *you* like me to ask? :ear
i'll pick the best from all the replies. thanks in advance for your help
ps: the idea, is for me to interview them, write up the interview, and then they've agreed to pop in and discuss with us :deal
i have my own list of questions for them, but i'd also like to know, what questions would *you* like me to ask? :ear
i'll pick the best from all the replies. thanks in advance for your help
ps: the idea, is for me to interview them, write up the interview, and then they've agreed to pop in and discuss with us :deal
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Comments
OK how about this one? When they go out for a shoot, do they have a plan of what sort of of angles and perspectives they will use? Or, do they wait until they are onsite and use their experience and "vision" to determine the best perspectives?
You know me, I shoot what's there and usually come away wishing I had done something different. You know, better subject isolation, a more unique perspective, or even finding the most or a more interesting subject to shoot. I know this is less of an issue for model/people shooters, but they seem to do it so well there must be some method to their lack of madness
Or, do they just trash 95% of their shots like I do? Hey, the film is free right?
Steve
I am a fan of Christopher Morris' work. I guess being in the military and having personally experienced both war and peacekeeping operations, I get a personal connection to the images he takes.
My question if it makes the cut would be to ask if his photos of the "innocent victims of war" are purely candids ie. right place, right time or does he actually adjust the composition (selection of background etc) of the shot for maximum effect.
This is a great idea Andy, and I can't wait to read the interview.
40D
18-55mm, 28-105mm USM II, 50mm f/1.8, 400mm f/5.6
For Christopher Morris, I would like to know what he thinks the impact
large numbers of news crews/media covering events like Hurricane Katrina
have on the story. Does he think major media coverage affects relief/rescue
efforts?
Ian
Ring me when your ready mate.
listen, if you take gus with you to the interviews, make sure he's not lit with a red led ... or green ...
Nir Alon
images of my thoughts
Morning Gus!
Gus
Ta. that was from me to you. but i am 15 minutes too early...
Anyway I'll get off of my soap box and wait with the normal folk to see these interviews.
40D
18-55mm, 28-105mm USM II, 50mm f/1.8, 400mm f/5.6
Where do they feel the "line" is with regards to personal space? How far is far enough and what is too far? Yes there is the story to tell, but where do they feel privacy begins and ends.
http://lonepine.shutterbugstorefront.com
I'm willing to risk my life...
Seriously :uhoh
weddings
This months LensWork features an article written by her about photographing
one of New Jersey's poorest neighborhoods over a period of 15 years starting
in the 80's.
I'd be curious to know more about how she accomplished this. Aside from
being female, she ventures into an area many of us would never dream of
visiting yet she transits frequently. Chronicling lives and the eventual
destruction of a housing project.
Ian
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Thierry
cool. i think i'll ask douglas about this shot
(taken by a friend of ehughes)
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(totally in love with all his portraits)
Art washes away from the soul the dust of everyday life...Picasso
Ian, I like your suggestion ... I would luv to meet a diversity of photographers :
Andy, "Meet the photographer" is an AWESOME idea ... Thanks
Any example explanations of the above three would be interesting to me.
I could repeat what rahmonster said, that's exactly how I feel. Agree with the question as well. Great work Andy
I was lucky enough to attend a slideshow with Mr. Douglas himself and his wife at the portuguese Fnac a few weeks ago, unbelievable hours that will stay with me for many years for sure. Every single picture was stunning, the non portraits too. You have a fan here Mr. Kirkland. By the way, I'd also like to know how he bonds with people in order to get them to relax for the camera ?... he must find shy people even in showbiz.
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Thanks for the wonderful suggestions. I'm interviewing Douglas Kirkland on Monday. Keep the questions coming
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any more, any more
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what keeps him coming back each day.
Ian
How do they stay relaxed while shooting someone that they admire.
And of course, What picture did they take, that they like the best, and for
what reason.
Basking in the shadows of yesterday's triumphs'.
I was just curious how the interview went? Inquiring minds want to know...
Thanks,
Lee
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I know that I'm a day late and a dollar short on this one, but I personally *love* the idea of "Meet the Photographer". When I go to a conference known as SIGGRAPH, http://www.siggraph.org/s2006/ they have a similar series knows as "Meet the Artist" and it's always a packed house. So they record the interview, place it on a DVD and up on a webpage for poeple to download. They also do a transcript as well.
So I was wondering if you're conducting these interviews in person. And If so, are you recording the interview?
If you are, I'm sure that there are some folks out here who could cut the tape and compress it to QT or WMV fairly quickly. And if you can't find anyone, I'm more than happy to do it. Wouldn it be cool to have a boxed set called "Meet the Photographers" to go along with the interviews that you do?
So what do you think?
Hiya Bandit, thanks for posting!
I actually am recording these, they're done by telephone for the most part. The Kirkland interview should be available shortly, as dowload and podcast.
I appreciate your offer!
All the best,
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Bandit, do you know anything about improving the quality of a cr@ppy recording? I come thru fine on the file I've got, but Douglas' voice is weak and fades in/out.
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-Rich
... come along.