Hooray! I suppose I should start thinking about booking my flight....
Yes, Hooray! :ivar Ziggy brought this workshop to my attention, and I'm very excited to be "number 6" to sign up. It's going to be a blast, I'm sure. And it'll be a pleasure to not have to be the only one getting up early or leaving a communal meal to catch the best light.
Question: will others be flying into Montrose County Airport, about an hour Southeast of Grand Junction? I see that the cost of airline ticket, RT from Philadelphia, is almost $200 less expensive. Does anyone know if Doubletree meets guests at that airport, or if other limo's are available?
Question: will others be flying into Montrose County Airport, about an hour Southeast of Grand Junction? I see that the cost of airline ticket, RT from Philadelphia, is almost $200 less expensive. Does anyone know if Doubletree meets guests at that airport, or if other limo's are available?
Skip
I had been planning on flying into Walker Field. The hotel website says they have a complimentary shuttle from that airport, but I see no evidence of them doing the same for any others. I suppose if you're looking to save the $200, you'd have to find another way to avoid giving it to a cab company.
I had been planning on flying into Walker Field. The hotel website says they have a complimentary shuttle from that airport, but I see no evidence of them doing the same for any others. I suppose if you're looking to save the $200, you'd have to find another way to avoid giving it to a cab company.
After more thought, flying directly to Grand Junction makes more sense, since there are so many more daily flights between Denver and Walker Field than go to Montrose (12 vs. 5). Greater assurance of getting to Grand Junction in time is worth some extra bucks.
BTW, my current lenses are 16-35 f/2.8 and 24-105 f/4.0. I need something at the long end (the workshop website says 200mm). Can anyone recommend a lens that won't break the bank? I'm thinking either the 70-200 f/4.0 (non-IS) or 70-300 f/4-5.6 IS. They're roughly the same price at B&H. What about a 2x extender for my 105? Will that work as well?
BTW, my current lenses are 16-35 f/2.8 and 24-105 f/4.0. I need something at the long end (the workshop website says 200mm). Can anyone recommend a lens that won't break the bank? I'm thinking either the 70-200 f/4.0 (non-IS) or 70-300 f/4-5.6 IS. They're roughly the same price at B&H. What about a 2x extender for my 105? Will that work as well?
Believe it or not, that's the view from my apartment balcony.
Wow, what a view to wake up to.
Regarding your lens question, I like my 70-300 f/4.5-5.6 DO IS primairly because in addition to great quality it is only 3.9" long (compared to 6.8"), so it's much less conspicuous. It's a bit lighter (720g vs. 760g). It's longer reach is another reason I enjoy it. But as DavidTO points out, the 70-200 f/4L IS has the L quality. In my case, I also have the 200 f/2.8L II fixed focal length lens that I use with low light where lens speed is important, or for portraits where I want the narrow depth of field. I'll probably bring both.
My question re equipment for this trip is what tripod would be best. I've got one that's too flimsy, and another that weighs a ton.
BTW, my current lenses are 16-35 f/2.8 and 24-105 f/4.0. I need something at the long end (the workshop website says 200mm). Can anyone recommend a lens that won't break the bank? I'm thinking either the 70-200 f/4.0 (non-IS) or 70-300 f/4-5.6 IS. They're roughly the same price at B&H. What about a 2x extender for my 105? Will that work as well?
Welcome Dan
The 70-200 F 4 is a great lens and it is smaller than the F 2.8 version. I don't know how rough you are with your equipment but just in case you are like me, I would opt for the stronger equipment which would mean the 70-200 over the 70-300. For this particular trip we will be using the tripods more than not and therefor the image stabilizer is not required.
Regarding your lens question, I like my 70-300 f/4.5-5.6 DO IS primairly because in addition to great quality it is only 3.9" long (compared to 6.8"), so it's much less conspicuous. It's a bit lighter (720g vs. 760g). It's longer reach is another reason I enjoy it. But as DavidTO points out, the 70-200 f/4L IS has the L quality. In my case, I also have the 200 f/2.8L II fixed focal length lens that I use with low light where lens speed is important, or for portraits where I want the narrow depth of field. I'll probably bring both.
My question re equipment for this trip is what tripod would be best. I've got one that's too flimsy, and another that weighs a ton.
Skip
Welcome Skip
You have a valid point about the 70-300 lens and therefor Dan if you are reading this it really comes down to what else you plan on doing with the lens. Regarding the tripod issue, I use the Slik for the weight and price you can't beat it.
The 70-200 F 4 is a great lens and it is smaller than the F 2.8 version. I don't know how rough you are with your equipment but just in case you are like me, I would opt for the stronger equipment which would mean the 70-200 over the 70-300. For this particular trip we will be using the tripods more than not and therefor the image stabilizer is not required.
I can highly recommend the 70-200 over the 70-300 DO. Image quality is superior.
Marc MuenchRegistered UsersPosts: 1,420Major grins
edited March 20, 2007
Images
For all those joining me in Utah,:D it is time to start thinking about images you want to bring along for the critiques.
critique |kriˈtēk| noun a detailed analysis and assessment of something, esp. a literary, philosophical, or political theory.
You understand!
Since we will be working in the field every day I will be using most of the critique time with new images but I always like to see where you have been and what experience and style you bring with you.
If you have images you have worked on in Photoshop I suggest bringing the raw files also. If you do not wish to discuss photoshop and only the creative aspects that is fine as well just let me know at that time. Please bring your digital files on a camera card or CD for ease of use or bring prints up to 8 x 10 size only. I would recommend bringing at least 10 images.:photo
Since we will be working in the field every day I will be using most of the critique time with new images but I always like to see where you have been and what experience and style you bring with you.
Should these just be landscapes, or a representative sample of our photos?
I second the question above. I have relatively little experience with landscapes, hence my eagerness to attend this shootout. But I may be able to scrape up 10.
I second the question above. I have relatively little experience with landscapes, hence my eagerness to attend this shootout. But I may be able to scrape up 10.
I took a peak at your smug galleries and you definitely have 10
Marc MuenchRegistered UsersPosts: 1,420Major grins
edited March 22, 2007
Sigma
If anyone is like me and has always wanted a professional quality wide-angle point and shoot that can be thrown in a small bag, looks like it is finally here!
Sigma DP1 has the specs to be a three thumbs up vote by methumb
I just posted this here as it would be a perfect addition to the equip bag on a trip like Utah.
If anyone is like me and has always wanted a professional quality wide-angle point and shoot that can be thrown in a small bag, looks like it is finally here!
Sigma DP1 has the specs to be a three thumbs up vote by methumb
I just posted this here as it would be a perfect addition to the equip bag on a trip like Utah.
Verrrry interesting. Thanks!
Took me a second to realize the lens is fixed, not zoom.
We're getting close to the start of this workshop, and we still have a few spots left. Here's what you get:
1) Expert professional guidance from Marc Muench and Andy Williams. Nearly private instruction.
2) Back country guides will take us to just the right spots....and set us loose on the landscape while they prepare dinner for us....dinner under the stars. We'll be doing some night shooting as well, lighting up the petroglyphs with flashlights, perhaps, while shooting star trails.
3) All lodging, food and transportation from the starting point in Grand Junction, CO. You get there, and everything is included from that point on.
4) Signed print by Marc Muench as a momento of the trip. This will be one of the shots he takes on this trip.
5) You will come out of this trip with a deeper understanding of landscape photography, and photo processing, along with some fantastic new shots to add to your portfolio.
6) Simply put: we're going to have a great time, riding the back roads of Utah, finding magnificent scenery to capture in our cameras. Maybe some beers under the stars, even.
If you're interested, check out the information in the first post of this thread.
Comments
Portfolio • Workshops • Facebook • Twitter
I suppose I should start thinking about booking my flight....
Photos that don't suck / 365 / Film & Lomography
Yes, Hooray! :ivar Ziggy brought this workshop to my attention, and I'm very excited to be "number 6" to sign up. It's going to be a blast, I'm sure. And it'll be a pleasure to not have to be the only one getting up early or leaving a communal meal to catch the best light.
Question: will others be flying into Montrose County Airport, about an hour Southeast of Grand Junction? I see that the cost of airline ticket, RT from Philadelphia, is almost $200 less expensive. Does anyone know if Doubletree meets guests at that airport, or if other limo's are available?
Skip
http://skip-dechert.smugmug.com
Photos that don't suck / 365 / Film & Lomography
After more thought, flying directly to Grand Junction makes more sense, since there are so many more daily flights between Denver and Walker Field than go to Montrose (12 vs. 5). Greater assurance of getting to Grand Junction in time is worth some extra bucks.
Skip
http://skip-dechert.smugmug.com
Dgrin FAQ | Me | Workshops
www.dkoyanagi.com
www.flickr.com/photos/dkoyanagi/
Now pay up!
Dgrin FAQ | Me | Workshops
Dgrin FAQ | Me | Workshops
BTW, my current lenses are 16-35 f/2.8 and 24-105 f/4.0. I need something at the long end (the workshop website says 200mm). Can anyone recommend a lens that won't break the bank? I'm thinking either the 70-200 f/4.0 (non-IS) or 70-300 f/4-5.6 IS. They're roughly the same price at B&H. What about a 2x extender for my 105? Will that work as well?
www.dkoyanagi.com
www.flickr.com/photos/dkoyanagi/
The 70-200f4 is L glass, my friend....
Dgrin FAQ | Me | Workshops
Dan:
I look forward to meeting you.
I loved this picture at your site:
http://dkoyanagi.smugmug.com/popular/6/7224524#7224524-L-LB
Skip
http://skip-dechert.smugmug.com
Believe it or not, that's the view from my apartment balcony.
www.dkoyanagi.com
www.flickr.com/photos/dkoyanagi/
Regarding your lens question, I like my 70-300 f/4.5-5.6 DO IS primairly because in addition to great quality it is only 3.9" long (compared to 6.8"), so it's much less conspicuous. It's a bit lighter (720g vs. 760g). It's longer reach is another reason I enjoy it. But as DavidTO points out, the 70-200 f/4L IS has the L quality. In my case, I also have the 200 f/2.8L II fixed focal length lens that I use with low light where lens speed is important, or for portraits where I want the narrow depth of field. I'll probably bring both.
My question re equipment for this trip is what tripod would be best. I've got one that's too flimsy, and another that weighs a ton.
Skip
http://skip-dechert.smugmug.com
Welcome Dan
The 70-200 F 4 is a great lens and it is smaller than the F 2.8 version. I don't know how rough you are with your equipment but just in case you are like me, I would opt for the stronger equipment which would mean the 70-200 over the 70-300. For this particular trip we will be using the tripods more than not and therefor the image stabilizer is not required.
Muench Workshops
MW on Facebook
Welcome Skip
You have a valid point about the 70-300 lens and therefor Dan if you are reading this it really comes down to what else you plan on doing with the lens. Regarding the tripod issue, I use the Slik for the weight and price you can't beat it.
http://www.thkphoto.com/products/slik/slik-cfs4.html
Muench Workshops
MW on Facebook
Portfolio • Workshops • Facebook • Twitter
For all those joining me in Utah,:D it is time to start thinking about images you want to bring along for the critiques.
critique |kriˈtēk| noun a detailed analysis and assessment of something, esp. a literary, philosophical, or political theory.
You understand!
Since we will be working in the field every day I will be using most of the critique time with new images but I always like to see where you have been and what experience and style you bring with you.
If you have images you have worked on in Photoshop I suggest bringing the raw files also. If you do not wish to discuss photoshop and only the creative aspects that is fine as well just let me know at that time. Please bring your digital files on a camera card or CD for ease of use or bring prints up to 8 x 10 size only. I would recommend bringing at least 10 images.:photo
Muench Workshops
MW on Facebook
www.dkoyanagi.com
www.flickr.com/photos/dkoyanagi/
I second the question above. I have relatively little experience with landscapes, hence my eagerness to attend this shootout. But I may be able to scrape up 10.
Photos that don't suck / 365 / Film & Lomography
Bring representative images of what you have shot thus far.
Muench Workshops
MW on Facebook
I took a peak at your smug galleries and you definitely have 10
Muench Workshops
MW on Facebook
If anyone is like me and has always wanted a professional quality wide-angle point and shoot that can be thrown in a small bag, looks like it is finally here!
Sigma DP1 has the specs to be a three thumbs up vote by me
I just posted this here as it would be a perfect addition to the equip bag on a trip like Utah.
Muench Workshops
MW on Facebook
So you've got one? Any sample images?
http://sigma-dp1.com/
I did place an order in but have no eta as of today!
BTW Ian, I received your paper work and have come to the conclusion you will not be allowed to go
Take over the coffee table book market?
Ok Ok we will still accept you so long as you donate all the proceeds of your new venture to my childrens college fund
Muench Workshops
MW on Facebook
Took me a second to realize the lens is fixed, not zoom.
Catapultam habeo. Nisi pecuniam omnem mihi dabis, ad caput tuum saxum immane mittam
http://www.mcneel.com/users/jb/foghorn/ill_shut_up.au
Did they quote you a price for the DP1? Or a date for availability? Is is going to be priced like the Epson RD1? ( I hope not!!)
A real Foveon sensor based P&S with a lens to match its capabilities.
I agree that this is a very interesting camera. I wonder if one with a modest zoom lens will be showing up soon also?
Moderator of the Technique Forum and Finishing School on Dgrin
Hey, I've already propped up El Cap for you
I have not received a price nore date. I am guessin around $1000. I believe the prime 28mm will be it considering how long Sigma takes.
I will let you know when I find out.
Muench Workshops
MW on Facebook
1) Expert professional guidance from Marc Muench and Andy Williams. Nearly private instruction.
2) Back country guides will take us to just the right spots....and set us loose on the landscape while they prepare dinner for us....dinner under the stars. We'll be doing some night shooting as well, lighting up the petroglyphs with flashlights, perhaps, while shooting star trails.
3) All lodging, food and transportation from the starting point in Grand Junction, CO. You get there, and everything is included from that point on.
4) Signed print by Marc Muench as a momento of the trip. This will be one of the shots he takes on this trip.
5) You will come out of this trip with a deeper understanding of landscape photography, and photo processing, along with some fantastic new shots to add to your portfolio.
6) Simply put: we're going to have a great time, riding the back roads of Utah, finding magnificent scenery to capture in our cameras. Maybe some beers under the stars, even.
If you're interested, check out the information in the first post of this thread.
Dgrin FAQ | Me | Workshops